Size: 205 x 260 mm
Pages: 380 pp, 152 photographs
Text: 16 ‘barks’, 2 hakas and 1 waiata
Type: Offset lithoprint on coated and uncoated paper Library buckram cased hardback, with tipped in foiled illustration on library buckram, 2 gatefolds, 3 tipped in fold-outs
Edition: 1500 Publisher: Co-published by Here Press, London and Images Vevey, Switzerland
The Mighty Mongrel Mob of Aotearoa New Zealand is notorious for extreme violence, and they have long been regarded as the nation’s monsters. In layers of apparent contradictions, their icon is the British bulldog and they wear Nazi symbols, while their members are largely Māori. Arguably, the Mongrel Mob’s symbols arose as both a goading response to a history of colonial subjugation of Māori, and a proclamation of war against the largely Pākehā state.
‘Mongrelism’ offers a communion with this impenetrable fraternity. Monumental portraits illustrate Mob members’ assertion of membership and pride in their identity. Artefact studies and brutal first person narratives are drawn from the Mob corpus, mirroring the landscapes that bare the brooding environments where Mob members live. ‘Mongrelism’ examines how the gang brands itself to itself to uphold its hierarchy and history, and find core values usually lauded by society: perseverance, resilience, and loyalty.
The publication takes the form of a gang handbook. The order and grouping of images is the result of consultation with members and hews to their geographic, familial and hierarchical relationships. An unedited Mob voice dominates the written section.
Rotman’s images have become a part of Mob history and their visual mythology. Ongoing consultation and engagement has been integral.
Rotman is a fourth generation Pākehā New Zealander, his maternal forebears were among the first to settle in the region that became the epicentre of the Mob genesis. Some have posited that the process of colonisation and the atomisation of communities have resulted in the birth of the Mongrel Mob. In Mongrelism, as in the history of the nation, the narratives intertwine.
‘Mongrelism’ is the recipient of the Prix du Livre Images Vevey 2017/2018.